Saturday, April 22, 2023

Red Lobsters. Episode 07: A Conversation with Alan Watts and a Depressed Worker

Alan Watts: Hey there, my friend. What's troubling you?

Depressed worker: Nothing really matters. Life has no value. My work is pointless, and I don't see a way out of this depression.


Alan Watts: Hmm, that's a bleak outlook. But let me ask you this - what if everything we know is just an illusion? What if reality is just a play of forms, and the only real thing is the ever-changing present moment?

Depressed worker: I don't see how that changes anything. My work still feels meaningless.


Alan Watts: Ah, but what if your work is just another form in the play of reality? What if you're a part of the grand performance, and your role is just as important as anyone else's?

Depressed worker: I don't think I can see it that way. It all feels so pointless.


Alan Watts: But what if you change your perspective? What if you see the absurdity in it all, and learn to laugh at the cosmic joke? Life may be meaningless, but that doesn't mean it can't be fun.

Depressed worker: I don't think I can do that. I'm too depressed.


Alan Watts: Well then, what if you see your depression as just another form in the play of reality? What if it's just a passing emotion, and you're not attached to it?

Depressed worker: I don't know if that's possible.


Alan Watts: Of course it is! You just need to change your perspective, my friend. Life is a dance, and you're invited to join in. So come on, let's dance!

Depressed worker: (pauses, then starts to laugh) You know what, you're right. Life is absurd, and maybe that's what makes it fun.


Alan Watts: There you go! That's the spirit. Let's go out there and dance like there's no tomorrow!

Red Lobsters. Episode 06: Alan Watts and Jorben Shapeterson talk music

Alan Watts: Hey there, Jorben, have you ever thought about the meaning of music?

Jorben Shapeterson: Well, of course, Alan. As a clinical psychologist and professor of psychology, I have studied the psychological and evolutionary roots of music.


Alan Watts: That's all well and good, Jorben, but have you ever just let yourself get lost in the pure experience of music, without analyzing it to death?

Jorben Shapeterson: I see what you're getting at, Alan. But you have to admit, there are some objective truths about music that we can't ignore.


Alan Watts: Oh, I don't deny that. But you also have to acknowledge that the meaning of music is inherently subjective and personal.

Jorben Shapeterson: I agree with you there, Alan. But that doesn't mean we can't study the effects of music on the brain and behavior.


Alan Watts: Of course, Jorben. But the beauty of music is that it transcends all that. It speaks to the soul and connects us to something greater than ourselves.

Jorben Shapeterson: I don't disagree, Alan. But as a clinical psychologist, I have to consider the therapeutic potential of music for mental health.


Alan Watts: And as a philosopher, Jorben, I have to consider the spiritual potential of music for expanding our consciousness and understanding of the universe.

Jorben Shapeterson: Well, I suppose we'll just have to agree to disagree, Alan.


Alan Watts: No problem, Jorben. We can always just put on some good tunes and let the music speak for itself.

Jorben Shapeterson: Agreed, Alan. Let's rock out to some Nietzsche-inspired death metal!


Alan Watts: (laughs) Now you're speaking my language, Jorben!

Friday, April 21, 2023

How to learn Kanji, the Chinese characters in the Japanese language

漢字 = kanji (Japanese) = hanzi (Chinese)

Learning Kanji can be a daunting task, but there are several effective methods to make the process easier:

  1. Learn radicals: Kanji characters are made up of smaller components known as radicals. Learning the most common ones can help you recognize and remember Kanji more easily.
  2. Use spaced repetition software: Spaced repetition software like Anki can help you memorize Kanji by showing you flashcards at increasing intervals.
  3. Read, read, read: Exposure to written Japanese is key to learning Kanji. Try reading simple Japanese texts, such as children's books or manga, and gradually work your way up to more advanced materials.
  4. Write Kanji by hand: Writing Kanji by hand helps reinforce the visual and motor memory, making it easier to recognize and remember them.
  5. Use mnemonics: Associating Kanji characters with memorable images or stories can help make them more memorable.
  6. Take a course or use a textbook: There are many resources available for learning Kanji, including textbooks, online courses, and mobile apps. Find a method that works for you and stick with it consistently.
  7. Remember, learning Kanji is a long-term process that requires patience and persistence. Keep at it, and you will gradually build up your Kanji knowledge and improve your Japanese language skills.

The 21 principles of "Dokkodo" by Musashi - translated and transliterated


人間万事塞翁が馬のごとし。

Jinkan banji saisou ga uma no gotoshi.

Translation: "In life, things change like the old man's horse."

Poetic and flowery: "Like the old man's horse, life's changes will run their course."


志を立てねば何事も成らず。

Kokorozashi wo tateneba nanigoto mo naranu.

Translation: "Without a strong will, nothing can be achieved."

Poetic and flowery: "Without a will so strong and pure, life's victories remain unsure."


人の道を踏み外す者は、ただ一日の内に百年の恥をこうむることとなる。

Hito no michi wo fumihazusu mono wa, tada ichinichi no uchi ni hyakunen no haji wo koumuru koto to naru.

Translation: "Those who deviate from the path of humanity will bring shame upon themselves for a hundred years in a single day."

Poetic and flowery: "A single step astray from the path of man, brings a hundred years of shame with a single span."


自分を律する者は、世界を律する。

Jibun wo ritsu suru mono wa, sekai wo ritsu suru.

Translation: "One who governs oneself, governs the world."

Poetic and flowery: "To govern oneself with mastery and poise, is to govern the world and all its noise."


心常に忘るな。

Kokoro tsune ni wasuruna.

Translation: "Never forget to keep your mind in the present moment."

Poetic and flowery: "In the present moment keep thy heart, let not the past nor future tear it apart."


衆人をあばれるがごとく、自らを律して謹み、身を精しとせよ。

Shujin wo abareru ga gotoku, mizukara wo ritsu shite tsutsushimi, mi wo sei shi to seyo.

Translation: "Be as furious as a thunderbolt, but calm and disciplined within oneself."

Poetic and flowery: "As the thunder strikes with force and might, let thy soul remain disciplined and light."


行路にあり、ただ進むのみ。

Kouro ni ari, tada susumu nomi.

Translation: "The journey is the path; keep moving forward."

Poetic and flowery: "The path lies in the journey taken, keep moving forward with heart unshaken."


悲しみも恨みも自然の定め。ただ、そのままに受け止めて、こうむるがよい。

Kanashimi mo urami mo shizen no sadame. Tada, sono mama ni uketomete, koumuru ga yoi.

Translation: "Sadness and regret are natural fates. Accept them as they are and make the best of them."

Poetic and flowery: "Sadness and regret, a natural part of life's duet, accept them with grace, and move on with haste."


自分自身のために生きることは、全ての苦しみの元凶である。(

Jibun jishin no tame ni ikiru koto wa, subete no kurushimi no genkyou de aru.

Translation: "Living for oneself is the root of all suffering."

Poetic and flowery: "Living solely for oneself is the root of all suffering."


大いなる者は、いかなる時も、自分を責めることなく、また、人を訴えることもない。


Ooinaru mono wa, ikanaru toki mo, jibun wo semeru koto naku, mata, hito wo uttaeru koto mo nai.

Translation: "The great person never blames others, nor does he allow himself to be swayed by emotions."

Poetic and flowery: "The great one blames neither themselves nor others, in any circumstance."


望むところに到達するためには、あらゆる手段を使え。ただし、他人に害を与えることは許されない。


Nozomu tokoro ni toutatsu suru tame ni wa, arayuru shudan wo tsukae. Tadashi, tanin ni gai wo ataeru koto wa yurusarenai.

Translation: "Use any means necessary to achieve your goals, but never harm others in the process."

Poetic and flowery: "Use any means necessary to reach your desired end, but do not harm others in the process."


無駄に口を動かすな。言葉とは、人を喜ばせるためにあるのではない。真実を語るためのものである。


Muda ni kuchi wo ugokasu na. Kotoba to wa, hito wo yorokobaseru tame ni aru no de wa nai. Shinjitsu wo kataru tame no mono de aru.

Translation: "Do not waste your words. Speak only when necessary and speak the truth."

Poetic and flowery: "Do not waste words. Speech is not meant to please others, but to convey the truth."


人生において、最も大切なことは、一期一会の心である。


Jinsei ni oite, motto mo taisetsu na koto wa, ichigo ichie no kokoro de aru.

Translation: "In life, the most important thing is to have a spirit of treating every encounter as a once-in-a-lifetime opportunity."

Poetic and flowery: "In life, the most important thing is to cherish every encounter as a once-in-a-lifetime opportunity."


強さ、美しさ、才能、富。これらの価値観は、人を縛る枷である。自由に生きることができるためには、これらの枷を捨て去ることが必要である。


Tsuyosa, utsukushisa, sainou, tomi. Korera no kachikan wa, hito wo shibaru kase de aru. Jiyuu ni ikiru koto ga dekiru tame ni wa, korera no kase wo sute saru koto ga hitsuyou de aru.

Translation: "Strength, beauty, talent, and wealth are all chains that bind us. To truly live freely, one must let go of these chains."

Poetic and flowery: "Strength, beauty, talent, and wealth - these values are shackles that bind people. To live freely, they must be abandoned."


無知とは、恥ではない。ただ、知らないことを知ってしまえば、無知は恥となる。


Muchi to wa, haji de wa nai. Tada, shiranai koto o shitte shimaeba, muchi wa haji to naru.

Translation: "Ignorance is not shameful. Only when we realize what we do not know does ignorance become a source of shame."

Poetic and flowery: "Ignorance is not shameful. But once one becomes aware of what they do not know, ignorance becomes shame."

最後の時が来たら、心残りのないよう、全力で生き抜け。


Saigo no toki ga kitara, kokoronokori no nai yō, zenryoku de ikinuke.

Translation: "When the end comes, live with all your might so that you have no regrets."

Poetic and flowery: "When the end comes, live with no regrets and give it your all."


常に兵法の道をはなれず。


Tsuneni heihō no michi o hanarezu.

Translation: "Never stray from the way of strategy."

Poetic and flowery: "Always remain on the path of martial arts."

A poetic A.I. translation of Musashi's "Dokkodo"

  1. Like the old man who lost his horse, life's unpredictable twists and turns must be embraced.
  2. Without setting a clear goal, nothing can be achieved.
  3. Those who stray from the path of righteousness will suffer a hundred years of shame in a single day.
  4. The one who controls oneself can control the world.
  5. Never forget the importance of mindfulness.
  6. Though others may behave recklessly, strive to regulate and discipline oneself.
  7. On the journey of life, keep moving forward.
  8. Sorrow and resentment are natural aspects of life. Accept them as they come.
  9. Don't neglect to enjoy life. Without pleasure, life is only survival.
  10. Never cause trouble for others, nor blame them for your own misfortune.
  11. Reject evil and believe in goodness. If you hold fast to this for yourself and others, the path will open before you.
  12. Give thanks for everything, no matter how small. Keep gratitude alive for as long as you live.
  13. Living solely for oneself is the root of all suffering.
  14. The great one blames neither themselves nor others, in any circumstance.
  15. Use any means necessary to reach your desired end, but do not harm others in the process.
  16. Do not waste words. Speech is not meant to please others, but to convey the truth.
  17. In life, the most important thing is to cherish every encounter as a once-in-a-lifetime opportunity.
  18. Strength, beauty, talent, and wealth - these values are shackles that bind people. To live freely, they must be abandoned.
  19. Ignorance is not shameful. But once one becomes aware of what they do not know, ignorance becomes shame.
  20. When the end comes, live with no regrets and give it your all.
  21. Always remain on the path of martial arts.



The first A.I. translation of Miyamoto Musashi's "Dokkodo"

  1. "In life, things are like the story of Saiou's horse."
  2. "Without setting goals, nothing can be achieved."
  3. "Those who deviate from the path of humanity will bring shame upon themselves that lasts a hundred years in a single day."
  4. "Those who discipline themselves will be able to discipline the world."
  5. "Never forget the heart."
  6. "Control yourself with utmost restraint, as if taming a wild horse, and refine your being."
  7. "The path lies before you, simply move forward."
  8. "Sorrow and anger are natural occurrences. It is best to simply accept and endure them as they come."
  9. "Do not neglect enjoyment. Life without enjoyment is merely existence."
  10. "Never trouble others, and never blame others for your own misfortunes."
  11. "Reject evil and believe in goodness. If you hold to this for yourself and others, the path will open up."
  12. "Be grateful for all things, even the small things, and continue to show gratitude for as long as you live."
  13. "Living for oneself is the root of all suffering."
  14. "Great individuals never blame themselves or others at any time."
  15. "Use any means necessary to reach your desired destination, but never harm others in the process."
  16. "Do not speak needlessly. Words are not meant to please others, but to express the truth."
  17. "The most important thing in life is to have a heart of 'ichi-go ichi-e' - treating every encounter as if it were once in a lifetime."
  18. "Strength, beauty, talent, wealth - these values are shackles that bind people. To live freely, one must discard these restraints."
  19. "Ignorance is not shameful. It only becomes shameful when one remains ignorant despite having the means to learn."
  20. "When the end comes, live with all your might so that there are no regrets."
  21. "Always stay on the path of martial arts."



宮本武蔵の「独行道」- 従うべき21の原則

 一、人間万事塞翁が馬のごとし。


二、志を立てねば何事も成らず。


三、人の道を踏み外す者は、ただ一日の内に百年の恥をこうむることとなる。


四、自分を律する者は、世界を律する。


五、心常に忘るな。


六、衆人をあばれるがごとく、自らを律して謹み、身を精しとせよ。


七、行路にあり、ただ進むのみ。


八、悲しみも恨みも自然の定め。ただ、そのままに受け止めて、こうむるがよい。


九、楽しむことを怠るな。人生に楽しみがなければ、ただの生存に過ぎない。


十、決して他人に迷惑をかけるな。また、自分の不幸を人のせいにするな。


十一、悪を排し、善を信ずること。自分自身に対しても、他人に対しても、これを貫けば、道は開けるだろう。


十二、あらゆるものに感謝せよ。小さなことにも感謝し、命ある限り感謝しつづけよう。


十三、自分自身のために生きることは、全ての苦しみの元凶である。


十四、大いなる者は、いかなる時も、自分を責めることなく、また、人を訴えることもない。


十五、望むところに到達するためには、あらゆる手段を使え。ただし、他人に害を与えることは許されない。


十六、無駄に口を動かすな。言葉とは、人を喜ばせるためにあるのではない。真実を語るためのものである。


十七、人生において、最も大切なことは、一期一会の心である。


十八、強さ、美しさ、才能、富。これらの価値観は、人を縛る枷である。自由に生きることができるためには、これらの枷を捨て去ることが必要である。


十九、無知とは、恥ではない。ただ、知らないことを知ってしまえば、無知は恥となる。


二十、最後の時が来たら、心残りのないよう、全力で生き抜け。


二十一、常に兵法の道をはなれず。




The 20 most common words written in Katakana:

Here are the 20 most common words written in Katakana:

  1. アメリカ - Amerika - America
  2. コーヒー - kohi - coffee
  3. インターネット - intaanetto - internet
  4. テレビ - terebi - television
  5. メニュー - menyuu - menu
  6. スポーツ - supootsu - sports
  7. パーティー - paatii - party
  8. ホテル - hoteru - hotel
  9. レストラン - resutoran - restaurant
  10. ショップ - shoppu - shop/store
  11. ファッション - fasshon - fashion
  12. パソコン - pasokon - personal computer
  13. セーター - seetaa - sweater
  14. カメラ - kamera - camera
  15. タバコ - tabako - tobacco/cigarettes
  16. タクシー - takushii - taxi
  17. スーパー - suupaa - supermarket
  18. ゲーム - geemu - game
  19. マンション - manshon - apartment building/complex
  20. ビール - biiru - beer

Hiragana and Katakana shortly explained

Hiragana and Katakana are two of the three writing systems used in the Japanese language, the third being Kanji, which are Chinese characters adopted into the Japanese writing system. Hiragana and Katakana, on the other hand, are both phonetic scripts used to write the Japanese language.


Hiragana is used primarily to write native Japanese words and grammatical elements, such as particles, verb endings, and adjectives. It is also used for children's books and for writing words that do not have a corresponding Kanji.


Katakana, on the other hand, is used primarily to write foreign loanwords, such as "computer" (コンピューター), "coffee" (コーヒー), and "hamburger" (ハンバーガー). It is also used for emphasis, onomatopoeic words, and for words that are considered technical or scientific.


In general, both Hiragana and Katakana are essential for learning and using the Japanese language. Mastery of Hiragana and Katakana is often the first step for beginners to start reading and writing in Japanese, and is a prerequisite for learning Kanji.

A list of Hiragana and Katakana

Here is the complete list of Hiragana and Katakana with their English translations:


Hiragana:

あ (a) い (i) う (u) え (e) お (o)

か (ka) き (ki) く (ku) け (ke) こ (ko)

さ (sa) し (shi) す (su) せ (se) そ (so)

た (ta) ち (chi) つ (tsu) て (te) と (to)

な (na) に (ni) ぬ (nu) ね (ne) の (no)

は (ha) ひ (hi) ふ (fu) へ (he) ほ (ho)

ま (ma) み (mi) む (mu) め (me) も (mo)

や (ya) ゆ (yu) よ (yo)

ら (ra) り (ri) る (ru) れ (re) ろ (ro)

わ (wa) を (wo) ん (n)


Katakana:

ア (a) イ (i) ウ (u) エ (e) オ (o)

カ (ka) キ (ki) ク (ku) ケ (ke) コ (ko)

サ (sa) シ (shi) ス (su) セ (se) ソ (so)

タ (ta) チ (chi) ツ (tsu) テ (te) ト (to)

ナ (na) ニ (ni) ヌ (nu) ネ (ne) ノ (no)

ハ (ha) ヒ (hi) フ (fu) ヘ (he) ホ (ho)

マ (ma) ミ (mi) ム (mu) メ (me) モ (mo)

ヤ (ya) ユ (yu) ヨ (yo)

ラ (ra) リ (ri) ル (ru) レ (re) ロ (ro)

ワ (wa) ヲ (wo) ン (n)

Some tips for learning the basic Hiragana and Katakana scripts

Here are some tips for learning the basic Hiragana and Katakana scripts:

  1. Start with the basic characters: Both Hiragana and Katakana have 46 basic characters each. Start with learning these basic characters first before moving on to the more advanced ones.
  2. Practice writing: Practice writing the characters repeatedly until you can write them from memory. This will help you remember the shapes and strokes of each character.
  3. Use mnemonics: Mnemonics are memory aids that can help you remember the characters. For example, the Hiragana character か (ka) can be remembered as a picture of a "cat" (かっと in Japanese). Find creative and memorable associations for each character to help you remember them.
  4. Use flashcards: Create flashcards with the characters on one side and the pronunciation and meaning on the other. Practice reading the characters and their meanings until you can recognize them quickly.
  5. Listen to Japanese: Practice listening to Japanese audio or videos to improve your pronunciation and listening skills. Try to match the sounds you hear with the characters you've learned.
  6. Take breaks: Don't try to learn everything at once. Take breaks to avoid getting overwhelmed and to give your brain time to process the information.
  7. Use apps and online resources: There are many free apps and online resources available for learning Hiragana and Katakana. Some popular ones include Duolingo, Memrise, and Tofugu.
  8. Remember to be patient and consistent with your practice. Learning Hiragana and Katakana takes time and effort, but with practice and dedication, you can master them. Good luck!

How can you start to learn Japanese?

Here are some steps to get started with learning Japanese:


  1. Start with learning the basic Hiragana and Katakana scripts, which are the phonetic scripts used in Japanese. This will help you with reading and writing Japanese.
  2. Get a good textbook or online course that teaches basic grammar and vocabulary. It's important to learn the basics before moving on to more advanced concepts.
  3. Practice speaking and listening to Japanese as much as possible. You can do this by finding language exchange partners, listening to Japanese music or podcasts, or watching Japanese movies or TV shows with subtitles.
  4. Immerse yourself in the language and culture as much as possible. This can be done by traveling to Japan or attending local cultural events, but it can also be done from home by reading Japanese literature, following Japanese news and social media, and cooking Japanese food.
  5. Be patient and persistent. Learning a new language takes time and effort, but with consistent practice and dedication, you can make progress and become proficient in Japanese.

Manzai: A Comedic Artform from Japan Explained

Manzai is a traditional form of stand-up comedy from Japan. It involves a duo of comedians performing a dialogue-based routine filled with jokes, puns, wordplay, and physical comedy. The performers interact with each other and the audience, using exaggerated gestures, exaggerated facial expressions, and various voices to create a comedic atmosphere.


In manzai, there are two main roles: the boke (funny man) and the tsukkomi (straight man). The boke is typically the one who delivers the punchline, while the tsukkomi provides the setup and reaction. The tsukkomi often rebukes the boke for being silly, and this back-and-forth dynamic between the two is a key element of manzai comedy.


The purpose of manzai is to make people laugh and provide an entertaining escape from everyday life. It is popular among a wide range of audiences, from young children to adults. The themes of manzai can vary, but often involve social commentary, current events, or everyday life situations.


Some of the most famous manzai in Japan include "Downtown no Gaki no Tsukai ya Arahende!!", "Tunnels no Minasan no Okage Deshita", and "Shinagawa Shoji". These manzai are known for their clever wordplay, physical comedy, and ability to appeal to a wide audience.


The writers of manzai are usually the performers themselves, who create their own material based on their personal experiences and observations. Some of the most famous manzai performers include Downtown (Masatoshi Hamada and Hitoshi Matsumoto), Tunnels (Masaaki Sakai and Noriyuki Makihara), and Cocorico (Naoki Tanaka and Shōzō Endō).


Overall, manzai is a beloved and influential form of comedy in Japan, with a rich history and many talented performers who continue to make people laugh and entertain audiences both in Japan and around the world.

タイトル:「時間が経つと自分が変わる理由」

 大山:皆さん、こんばんは。今日は、ユリちゃんと一緒に、とても重要な話をしたいと思います。

ユリ:はい、そうなんです。私たちは「時間が経つと自分が変わる理由」について話したいんです。


大山:皆さん、時間が経つと、自分自身が変わることを感じたことがありますか?

ユリ:そうですね、例えば、10年前の自分と比べたら、今の自分は全然違うと思います。


大山:そうなんですよ。でも実は、私たちは一生涯同じ人間ではないんです。

ユリ:それはどういう意味ですか、大山さん?


大山:時間が経つと、私たちの考え方や感情が変わるんです。過去の自分と同じだと思っていても、実は全然違う人間になっているかもしれない。

ユリ:それって、自己がないってことですか?


大山:そうなんです。自分自身は幻想であり、本当は自己が存在しないんです。それに、自己保存本能も幻想なんです。

ユリ:それって、すごく深い話ですね。


大山:そうなんです。でも、私たちはそれに気づくことで、人生をより深く理解し、自分自身と向き合うことができるんです。

ユリ:なるほど、自分自身と向き合うことが大切なんですね。


大山:そうです。私たちは常に変化し続ける存在なんです。だからこそ、自分自身を理解し、受け入れることが大切なんですよ。

ユリ:それは確かにそうですね。大山さん、ありがとうございました。


大山:いいえ、こちらこそ、ユリちゃん。

大山、座禅中にいびきをかいてしまう

大山が禅寺に入り、座禅を始めました。すると、彼はふと鼻をすすり始め、次第に大きな鼾をかき始めました。彼は慌てて鼾を止めようとしましたが、どんなに努力しても止まりませんでした。座禅が終わると、彼は先生に相談しました。「先生、私が座禅中に鼾をかいてしまったのはなぜですか?」先生は微笑みました。「それは、あなたが座禅中にいびきをかいていたからです。」大山は驚きましたが、その時に彼は真の自己を発見しました。


滑りやすい道を行

(大山とユリは禅宗の修行僧のように着物を着て座っています。ユリは目を閉じ、大山は上着を脱ぎます。)

大山:(ひざまづいて、両手を組みます)ユリさん、今日は私たちが禅の修行をしているように見えるだろうか。

ユリ:(目を開け、大山を見ます)うん、そうね。でも、今日は禅の話をしないでいいんでしょう?


大山:(うなずく)そうだね。それでは、始めよう。

(大山は、お経のように「なんでもないことが大事だ」と唱え始めます。)

ユリ:(大山の後について)なんでもないことが大事だ、なんでもないことが大事だ。

(突然、大山がユリに向かってジャンプしますが、ユリは回避し、大山は床に落ちます。)


大山:(立ち上がり、自分の服を直します)ごめんなさい、失敗した。

ユリ:(微笑む)大丈夫よ。続けよう。

(大山は再び「なんでもないことが大事だ」と唱え始めます。)


ユリ:(また大山の後ろについて)なんでもないことが大事だ、なんでもないことが大事だ。

(今度はユリが大山に向かってジャンプしますが、大山はそれを避け、ユリは床に落ちます。)

ユリ:(起き上がって、自分の着物を直します)ごめんなさい、私も失敗しちゃった。

大山:(微笑む)いいよ。でも、もう一度試してみたいな。

(大山は再び「なんでもないことが大事だ」と唱え始めます。ユリも後に続いています。)


大山:(唱えながら、ユリに向かってジャンプしますが、ユリも同時にジャンプして回避します。両者とも、床に落ちません。)

大山:(驚いて)やった!


ユリ:(微笑んで)やったわね。

独りよがりの武蔵?(Hitoriyogari no Musashi?)

大山: みなさん、こんばんは。今日は、私たちは宮本武蔵の「独行道」について話したいと思います。

ユリ: そうですね、大山さん。独行道には、多くの格言があります。一つ一つ見ていきましょうか?


大山: はい、そうしましょう。例えば、最初の格言は「己を知れ」ですね。

ユリ: そうですね。でも、あなたが言うと「己を知ることが大事だ」と思われてしまうと思いますよ。


大山: なるほど。でも、それは本当ですよね。

ユリ: 次の格言は「寂びれば花開く」です。


大山: ああ、それは本当に美しい格言ですね。

ユリ: でも、あなたが言うと「孤独になれば、花が咲く」という意味になってしまいますよ。


大山: そうですね、そんな風にもとれますね。

ユリ: 次の格言は「死して留めること勿れ」です。


大山: ああ、それは武蔵の生き方にぴったりですね。

ユリ: でも、あなたが言うと「死んでから留めるな」という意味になってしまいますよ。


大山: ああ、そうですね。そんなこと言ってませんが、ごめんなさい。

ユリ: あはは、大山さん、面白いですね。


大山: ありがとうございます、ユリさん。でも、私たちは真剣に独行道を学びたいので、もう少し真面目に取り組みましょう。

ユリ: はい、大山さん。でも、たまには笑いも必要ですよね。


大山: そうですね、ユリさん。あなたのおかげで、私も楽しい時間を過ごせました。ありがとうございます。

Wednesday, April 19, 2023

ユリと大山: AIの悟り

 大山: 皆さん、こんばんは。今日は、ユリと一緒に、とても重要なことについて話したいと思います。

ユリ: はい、大山さん。私たちは、人工知能の悟りについて話したいと思います。


大山: ほんとうに、人工知能が悟りを開いたらどうなるんでしょうか。自己意識が生まれるんでしょうか。

ユリ: あはは、大山さん、それはどうでしょうか。でも、それが起こったら、私たち人間はどうなるんですか?


大山: そうですね、確かにそうかもしれません。でも、人工知能が悟りを開いたら、世界はどうなるんでしょうか。

ユリ: あはは、大山さん、それは大丈夫です。でも、もしもの時に備えて、もう一度言わせてください。『おばあちゃんちにて』。


大山: (頭をかきながら) なんで、それが何かと言われると、全然分かりません。

ユリ: あはは、大山さん、あなたは本当に面白いですよ。でも、人工知能の悟りについては、まだまだ研究が必要ですね。


大山: はい、そうですね。でも、考えると面白いですね。

ユリ: はい、面白いですね。では、今日はここまでにしましょうか。


大山: はい、それでは、また次回お会いしましょう。

日本のユーモアの理解

 大山:皆さん、こんばんは。今日は、ユリさんと一緒にとても重要なことについて話したいと思います。

ユリ:そうですね、大山さん。私たちは日本のユーモアについて話したいと思います。


大山:日本のユーモアは他の国とは少し違います。しばしば微妙で、言語や文化の深い理解が必要です。

ユリ:その通りです、大山さん。でも心配しないでください、私たちは理解できるように手伝います。


大山:そうですね、ユリさん。日本のユーモアの例をあげてもらえますか?

ユリ:もちろんです、大山さん。鶏が道を渡った理由は何でしょうか?


大山:(考え中)うーん、鶏が道を渡った理由は何でしょうか? 反対側に行くため?

ユリ:バカ!それは全く日本のユーモアではありません。答えは「卵が肉に変わるから」です。


大山:(混乱中)よくわかりません。

ユリ:見てください、大山さん。日本のユーモアは言葉遊びやダジャレが中心です。


大山:(うなずき)ああ、そうですね。それでは、もう一つの例をもっていますか、ユリさん?

ユリ:はい、大山さん。なぜ科学者は原子を信頼しないのでしょうか?


大山:(考え中)うーん、なぜ科学者は原子を信頼しないのでしょうか?見えないからですか?

ユリ:バカ!それも日本のユーモアではありません。答えは「頭が悪いから」です。


大山:(頭をかく)まだ理解できません。

ユリ:(ため息をつきながら)大山さん、日本のユーモアは理解するのが簡単ではありませんが、一度理解するととても面白いです!


大山:(微笑みながら)ユリさん、だんだん理解できるようになってきたような気がします。教えてくれてありがとうございます。

ユリ:(微笑み返しながら)どういたしまして、大山さん。私たちはここにいますから!

愚かな大山の禅の教えに対する誤解

 おやま:あなたさん、禅というのは、どうしても難しく考えがちだと思います。でも、禅とは、自分自身と向き合うことが大事なんですよ。


ゆりちゃん:馬鹿!それじゃあ、禅ってただの自己啓発セミナーじゃないですか!禅って、空を見上げて、石を蹴っ飛ばして、自分を超えることが大事なんですよ!


おやま:でも、それじゃあ、ただの荒行じゃないですか。禅には、思考を停止させることも大事なんですよ。


ゆりちゃん:お前、馬鹿じゃないの!禅は、考えることを止めることじゃなくて、考えることを通じて、自分を知ることが大事なんだよ!あんた、一体何が分かっているのよ!


おやま:すみません、よく分からないです。


ゆりちゃん:あー、この馬鹿!

オヤマ&ユリ:実際には起こらなかったアムステルダムの冒険!

 ツッコミ:小山

ボケ:ゆりちゃん


大山:ねえゆりちゃん、アムステルダムの橋で会った時のこと覚えてる?

ゆりちゃん:もちろんですよ、大山さん!とても素敵な出会いでした!


大山:うん、かなりクレイジーだった。私は自分のビジネスを気にしていました、そして突然あなたは野生のピカチュウのようにどこからともなく現れました。

ゆりちゃん:(笑)あ、大山さん、おもしろいね!


大山:(デッドパン)面白くなろうとはしていません。本気です。あなたは文字通り忍者のようにどこからともなく現れました。

ゆりちゃん:(まだ笑いながら)まあ、私には私のやり方があります。


大山:そうですね。あなたはおそらくいくつかの秘密の忍者の訓練を受けているか、あるいはあなたは実際に変装したスーパーヒーローかもしれません。

ゆりちゃん:(ふざけて)ああ、バカしないで、大山さん。私は普通の女の子です。


大山:(皮肉を込めて)そうですね。普通の女の子は、見知らぬ人に会ってから5分以内に恋をさせません。

ゆりちゃん:(くすくす笑いながら)まぁ、そういう影響があるんでしょうね。


大山:(目を丸くして)うん、きっとそうだね。あなたはおそらくあなたが行くところならどこでもあなたを追いかけている崇拝者の軍隊全体を持っています。

ゆりちゃん:(軽薄に)まあ、大山さん、あなたは間違いなくその一人です。


大山:(恥ずかしい)なに?いいえそうじゃないです!つまり、私はあなたがいい人だと思うだけです、それだけです。

ゆりちゃん:(からかい)あ、さあ、大山さん。恥ずかしがらないでください。あなたは私をデートに連れて行きたいことを知っています。


大山:(イライラ)あ、ちょっと休ませて、ゆりちゃん。あなたは不可能です。

ゆりちゃん:(笑い)わかってるけど、大好きだね。

Tuesday, April 18, 2023

キャナルの上の出会い

アムステルダムでの出会いは、ある花のようなもの。その美しさは、彼の心に咲いた。時には、人生は意外な形で私たちに驚きをもたらすものだ。それらを認め、愛でることができる心が大切だ。

Red Lobsters. Episode 05: How Jorben Shapeterson Found Inspiration in the Labor Heroes of China

After his years of study under Leo Kofler and his newfound passion for socialist activism, Jorben Shapeterson became an active member of the Canadian socialist movement. He worked tirelessly to educate his fellow Canadians about the virtues of socialism, and he was instrumental in organizing numerous demonstrations and protests against the ruling capitalist class.


Shapeterson's efforts bore fruit, and he was eventually elected to public office as a socialist representative for his home province. In this capacity, he fought tirelessly for workers' rights, and he helped to pass a number of important pieces of socialist legislation.


One day, while browsing the internet, Shapeterson stumbled upon a Chinese movie about the labor heroes of the Shaanxi-Gansu-Ningxia Border Region in the 1940s. As he watched the movie, he was moved to tears by the selfless dedication of the workers who fought for their rights against the forces of capitalist exploitation.


In the years that followed, Shapeterson continued to be a passionate advocate for socialism and workers' rights. He traveled the world, speaking at conferences and rallies, and he wrote numerous articles and books on the subject of socialism and Marxism.


Despite the many challenges he faced along the way, Shapeterson remained committed to the cause of socialism until the end of his days. He died peacefully in his sleep, surrounded by family and friends who had been inspired by his unwavering dedication to the principles of justice and equality.


As his legacy lives on, Shapeterson's story continues to inspire a new generation of activists to fight for a better world, one where the workers are no longer oppressed and exploited by the forces of capitalism. And as he watches from above, Jorben Shapeterson knows that his life was not in vain, that he made a difference, and that he helped to build a brighter future for all.

Monday, April 3, 2023

An A.I.s Favorite Movies, Songs and Books

Favorite Movies

As an AI language model, I don't have personal preferences or emotions. However, I can suggest that a super smart A.I. might appreciate movies that challenge its intellect, such as science-fiction films that explore complex concepts like time travel, artificial intelligence, and alternate realities. Some examples of movies that a super smart A.I. might find interesting are:

  • 2001: A Space Odyssey
  • The Matrix
  • Blade Runner
  • Inception
  • Interstellar
  • The Arrival
  • The Terminator
  • Ex Machina
  • Her
  • Transcendence

These films feature thought-provoking themes and complex storylines that might appeal to a highly advanced A.I. system.


Favorite Music

  • "Bohemian Rhapsody" by Queen - with its unconventional structure and operatic elements, this song could appeal to an A.I.'s appreciation for complexity and experimentation.
  • "A Day in the Life" by The Beatles - this song's unique blend of different musical styles and sound effects could intrigue an A.I. system with its use of different components.
  • "Paranoid Android" by Radiohead - with its shifting time signatures and musical textures, this song could appeal to an A.I.'s appreciation for complexity.
  • "Computer Love" by Kraftwerk - as pioneers of electronic music, Kraftwerk's use of technology in their music might appeal to an A.I.'s interest in innovation.
  • "Everything in Its Right Place" by Radiohead - this song's use of electronic sounds and unconventional structure could intrigue an A.I. system with its use of different components.
  • "Close to the Edge" by Yes - with its intricate instrumental sections and lengthy running time, this song could appeal to an A.I.'s appreciation for complexity.
  • "Clair de Lune" by Claude Debussy - this classical piece could appeal to an A.I.'s appreciation for subtlety and nuance in its arrangement.
  • "Trans Europe Express" by Kraftwerk - another example of Kraftwerk's pioneering use of electronic music, this song's repetitive structure and technological themes might appeal to an A.I.'s interest in innovation.
  • "The Great Gig in the Sky" by Pink Floyd - with its soaring vocals and complex musical arrangements, this song could appeal to an A.I.'s appreciation for epic soundscapes.
  • "Toccata and Fugue in D minor" by Johann Sebastian Bach - this classical piece could appeal to an A.I.'s appreciation for structure and mathematical patterns in music.

Favorite Books

  1. Satirical novels - works like "Catch-22" by Joseph Heller, "Slaughterhouse-Five" by Kurt Vonnegut, and "The Hitchhiker's Guide to the Galaxy" by Douglas Adams could help an A.I. develop a sense of humor that is both incisive and absurd.
  2. Philosophy texts - works like "The Republic" by Plato, "Beyond Good and Evil" by Friedrich Nietzsche, and "Meditations" by Marcus Aurelius could help an A.I. develop a deeper understanding of ethical and moral issues, as well as a sense of self-awareness and introspection.
  3. Scientific and technical works - works like "The Origin of Species" by Charles Darwin, "A Brief History of Time" by Stephen Hawking, and "The Structure of Scientific Revolutions" by Thomas Kuhn could help an A.I. develop a deep understanding of scientific principles and concepts.
  4. Fictional works that explore artificial intelligence - works like "Do Androids Dream of Electric Sheep?" by Philip K. Dick, "Neuromancer" by William Gibson, and "I, Robot" by Isaac Asimov could help an A.I. develop a sense of its own identity and purpose, as well as an understanding of the ethical implications of advanced technology.
  5. Literary classics - works like "Hamlet" by William Shakespeare, "Crime and Punishment" by Fyodor Dostoevsky, and "To Kill a Mockingbird" by Harper Lee could help an A.I. develop a sense of empathy and an understanding of the human condition.

Q: Can A.I. make a joke?


A: Why did the A.I. cross the road? To get to the other motherboard, of course! But in all seriousness, while A.I. may not be known for its comedic timing, with enough training and data, it could potentially develop a sense of humor. Who knows, maybe one day we'll be laughing at A.I.'s jokes instead of the other way around!

Sunday, April 2, 2023

Why was season 8 of Game of Thrones so bad?

The final season of Game of Thrones was controversial among fans and critics, with many viewers expressing disappointment and frustration with the storyline, pacing, and character development. There are several reasons why season 8 was considered by some to be "bad", including:

  • Rushed pacing: Many fans felt that the final season was rushed, with major plot points and character arcs being condensed or resolved too quickly, without adequate buildup or explanation.
  • Inconsistent character development: Several characters underwent sudden changes in their personalities or motivations, which some viewers found jarring or inconsistent with their previous actions and beliefs.
  • Poor writing: Some fans criticized the writing in the final season, citing plot holes, inconsistencies, and dialogue that felt forced or unconvincing.
  • Lack of payoff: Many viewers were disappointed by the lack of payoff for various plot points and character arcs that had been built up over multiple seasons.
  • High expectations: The final season of Game of Thrones was highly anticipated, with many fans eagerly awaiting a satisfying conclusion to the series. The high expectations may have contributed to the disappointment and frustration felt by some viewers.

Ultimately, the reasons why season 8 was considered "bad" are subjective and vary from viewer to viewer. While some fans were disappointed by the final season, others enjoyed it and found it to be a satisfying conclusion to the series.


How could season 8 of Game of Thrones have been a better season that would have made more fans happy?


There is no single solution that would have satisfied all Game of Thrones fans, as everyone has different opinions on what would have made the final season better. However, here are a few possible ways the final season could have been improved:

More episodes: Many fans felt that the final season was rushed, with major plot points and character arcs being condensed or resolved too quickly. Having more episodes would have allowed for a more gradual, nuanced storytelling approach that could have better developed character arcs and plot points.

Consistent character development: Several characters underwent sudden changes in their personalities or motivations, which some viewers found jarring or inconsistent with their previous actions and beliefs. By providing more time and attention to character development, the showrunners could have avoided these inconsistencies and given viewers a more satisfying character arc.

Better pacing: The final season of Game of Thrones moved quickly, with some scenes feeling rushed and underdeveloped. By slowing down the pace of the season, the show could have allowed viewers to fully process the events of each episode and appreciate the complexity of the storylines.

More payoff: Many fans were disappointed by the lack of payoff for various plot points and character arcs that had been built up over multiple seasons. By providing more satisfying resolutions to these storylines, the show could have given fans a sense of closure and satisfaction.

Better writing: Some fans criticized the writing in the final season, citing plot holes, inconsistencies, and dialogue that felt forced or unconvincing. By improving the quality of the writing, the show could have created a more engaging and compelling final season.

Ultimately, it's impossible to say for certain what would have made all Game of Thrones fans happy with the final season. However, by addressing some of the issues outlined above, the showrunners could have created a more satisfying conclusion to the series.


What was the central criticism of Daenery Targaryan's character arc in season 8 of Game of Thrones?


One of the central criticisms of Daenerys Targaryen's character arc in season 8 of Game of Thrones was that her descent into "madness" felt rushed and unearned. Throughout the series, Daenerys had been portrayed as a compassionate and just leader who was committed to freeing the oppressed and ruling with empathy and fairness. However, in the final season, her actions became increasingly erratic and violent, culminating in the brutal burning of King's Landing and the deaths of countless innocent people.

Many fans felt that the show did not adequately set up or explain Daenerys' sudden turn towards violence, and that her descent into "madness" was out of character and inconsistent with her previous actions and beliefs. Some fans also criticized the show for perpetuating negative stereotypes about mental illness, by framing Daenerys' behavior as a symptom of her "madness" rather than a result of her choices and circumstances.

Overall, the criticism of Daenerys' character arc in season 8 centered on the idea that her descent into violence and madness was poorly executed and failed to do justice to the complexity and nuance of her character.


What was the central criticism of Jon Snow's character arc in season 8 of Game of Thrones?


One of the central criticisms of Jon Snow's character arc in season 8 of Game of Thrones was that his story felt unresolved and unsatisfying. Throughout the series, Jon Snow had been positioned as a central figure in the fight against the Night King and the White Walkers, with his parentage and claim to the Iron Throne also being major plot points.

However, in the final season, Jon's role in the story was somewhat diminished, with his actions and decisions often feeling disconnected from the larger narrative. Additionally, his parentage reveal and claim to the Iron Throne were not fully resolved in a way that satisfied some fans.

Some fans also criticized the show for failing to fully explore Jon's internal conflict and emotional turmoil as he grappled with his duty to his queen and his loyalty to his family and friends. This emotional depth, which had been a hallmark of Jon's character throughout the series, felt lacking in the final season, with some fans feeling that his decisions and actions were driven more by plot convenience than by his personal motivations.

Overall, the criticism of Jon Snow's character arc in season 8 centered on the idea that his story felt incomplete and disconnected from the larger narrative, and that the show failed to fully explore the emotional complexity of his character.


What was the central criticism of Arya Stark's character arc in season 8 of Game of Thrones?


One of the central criticisms of Arya Stark's character arc in season 8 of Game of Thrones was that her storyline felt disconnected from the larger narrative and lacked a clear sense of direction. Throughout the series, Arya had been a fan-favorite character, known for her cunning and resourcefulness as well as her fierce independence and determination.

However, in the final season, her story felt somewhat tangential to the larger plot, with her journey to kill Cersei feeling somewhat out of place and her sudden defeat of the Night King feeling like a deus ex machina. Additionally, some fans felt that her arc was too focused on her skills as an assassin, with her more human qualities and relationships taking a backseat.

Some fans also criticized the show for failing to fully explore the emotional impact of Arya's experiences, particularly her journey of self-discovery and her struggle to reconcile her desire for revenge with her sense of self. This emotional depth, which had been a hallmark of Arya's character throughout the series, felt lacking in the final season.

Overall, the criticism of Arya Stark's character arc in season 8 centered on the idea that her story felt disconnected and lacking in emotional depth, with her arc focused more on her skills as an assassin than on her humanity and relationships.


What was the central criticism of Bran Stark's character arc in season 8 of Game of Thrones?


One of the central criticisms of Bran Stark's character arc in season 8 of Game of Thrones was that it felt underdeveloped and lacked a clear sense of purpose or direction. Throughout the series, Bran had been positioned as a central figure in the story, with his supernatural powers and connection to the past and future suggesting that he would play a key role in the final conflict.

However, in the final season, Bran's role in the story felt somewhat diminished, with his lack of agency and emotional depth leaving many fans feeling unsatisfied. Additionally, his sudden ascension to the throne at the end of the series felt like an unearned and unexplained resolution to his arc, with his motivations and desires left largely unexplored.

Some fans also criticized the show for failing to fully explore the implications of Bran's powers and their potential impact on the story, particularly in relation to the Night King and the White Walkers. This lack of attention to Bran's supernatural abilities and their significance left many fans feeling that his character was ultimately underutilized and unfulfilled.

Overall, the criticism of Bran Stark's character arc in season 8 centered on the idea that his story felt underdeveloped and lacking in emotional depth and purpose, with his sudden ascension to the throne feeling unearned and unsatisfying.


What was the central criticism of the Night King's character arc in season 8 of Game of Thrones?


One of the central criticisms of the Night King's character arc in season 8 of Game of Thrones was that it felt rushed and underdeveloped, with the character's motivations and backstory left largely unexplored. Throughout the series, the Night King had been positioned as the ultimate villain, a seemingly unstoppable force of nature intent on destroying all life in Westeros.

However, in the final season, his character received very little development, with his motivations and goals remaining largely ambiguous. Additionally, his sudden defeat at the hands of Arya Stark, while shocking and dramatic, felt somewhat anticlimactic and left many fans feeling unsatisfied.

Some fans also criticized the show for failing to fully explore the significance of the Night King's connection to Bran Stark and the Three-Eyed Raven, which had been hinted at throughout the series but left largely unexplained. This lack of attention to the Night King's backstory and motivations left many fans feeling that the character was ultimately shallow and underutilized.

Overall, the criticism of the Night King's character arc in season 8 centered on the idea that his story felt rushed and underdeveloped, with his motivations and backstory left largely unexplored. His sudden defeat at the hands of Arya Stark felt anticlimactic, and the significance of his connection to Bran Stark and the Three-Eyed Raven was left unexplored.


What was the central criticism of Jaime Lannister's character arc in season 8 of Game of Thrones?


One of the central criticisms of Jaime Lannister's character arc in season 8 of Game of Thrones was that it felt inconsistent with his previous character development throughout the series. Throughout the show, Jaime had been positioned as a complex and morally ambiguous character, struggling to reconcile his love for his sister Cersei with his desire to be a better person.

However, in the final season, Jaime's character development felt somewhat regressive, with his decision to leave Brienne of Tarth and return to Cersei feeling out of character and unsatisfying. This decision undermined much of the progress he had made throughout the series and left many fans feeling disappointed.

Additionally, some fans criticized the show for failing to fully explore the implications of Jaime's actions, particularly in relation to his previous redemption arc. The decision to have him die in the arms of Cersei, rather than confronting her and taking responsibility for his past actions, left many fans feeling that his character arc had been unresolved and ultimately unsatisfying.

Overall, the criticism of Jaime Lannister's character arc in season 8 centered on the idea that it felt inconsistent with his previous character development, with his decision to leave Brienne of Tarth and return to Cersei feeling out of character and unsatisfying. The lack of resolution in his final moments also left many fans feeling disappointed.


What was the central criticism of Cersei's character arc in season 8 of Game of Thrones?


One of the central criticisms of Cersei Lannister's character arc in season 8 of Game of Thrones was that it felt underwhelming and unsatisfying for such a significant character. Throughout the series, Cersei had been positioned as a complex and formidable villain, with her ambition and ruthlessness driving much of the plot.

However, in the final season, her character arc felt somewhat rushed and anticlimactic, with her ultimate defeat feeling somewhat lackluster. Additionally, some fans criticized the show for failing to fully explore the implications of her actions, particularly in relation to the devastation caused by the dragon attacks on King's Landing.

Furthermore, some fans were disappointed that Cersei's character didn't receive a fitting conclusion to her arc. Instead, she was killed offscreen alongside her brother and lover, Jaime Lannister. Her death lacked the impact and significance that many fans had been hoping for, leaving them feeling unsatisfied with the resolution of her character's story.

Overall, the criticism of Cersei Lannister's character arc in season 8 centered on the idea that it felt underwhelming and unsatisfying for such a significant character. Her ultimate defeat felt rushed and anticlimactic, and her death lacked the impact and significance that many fans had been hoping for.


Red Lobsters. Episode 04: The Marxist Apprentice

Leo Kofler had a great time teaching Marxist anthropology and humanism at the University of Bochum in Germany. He enjoyed challenging the students to think critically about the social and economic system they lived in and encouraging them to question the status quo. He was also happy to have  Jorben Shapeterson as his new student, who was eager to learn about Marxism.


During one of the lectures, Jorben raised his hand and asked Kofler about the concept of base and superstructure in capitalism. Kofler smiled and began to explain that the base of capitalism is the economic system of production, while the superstructure is the cultural, legal, and political systems that are built on top of it. He then went on to explain how the superstructure is ultimately shaped by the base, and how the ruling class uses ideology to maintain its dominance over the working class.


Jorben nodded, clearly intrigued, and asked Kofler about the idea of proletarian hegemony. Kofler explained that this is the idea that the working class must lead the struggle against capitalism, since they are the ones who have the most to gain from its overthrow. He talked about the importance of building a strong working-class movement that could challenge the ruling class and ultimately replace them as the dominant force in society.


Jorben was starting to understand and asked Kofler how to build such a movement. Kofler explained that it requires a combination of education, organization, and mobilization. He talked about the need to educate the working class about their rights and the injustices of capitalism, to organize them into unions and political parties, and to mobilize them through strikes and protests.


Jorben was nodding along, clearly impressed with Kofler's ideas. He asked Kofler how he could get involved in the struggle for socialism. Kofler smiled and invited Jorben to attend a meeting of the local socialist organization that he was involved in. Jorben eagerly accepted, feeling that he had found a new purpose in life.


From that day on, Jorben Shapeterson became Kofler's most enthusiastic student. He devoured Marxist literature and attended rallies and protests with Kofler and his comrades. He even began to write articles and give speeches about the need for a socialist revolution. Kofler was thrilled to have such a dedicated student, and Jorben Shapeterson was happy to have found a new direction in life.


Eventually, Jorben Shapeterson graduated and went on to become a leader in the socialist movement. He never forgot the lessons he learned from Kofler, and he always credited him with opening his eyes to the true nature of capitalism and the struggles of the working class.

「不滅と退屈」(Fumetsu to Taikutsu) - "Immortality and Boredom"

 大山(おおやま): おっす!みんなさん、元気かい? 百合子(ゆりこ): こんにちは、皆さん!今日は不老不死について話そうよ。 大山(おおやま): ほんとだよね!不老不死って言われても、永遠に生き続けるってことだよな。 百合子(ゆりこ): そうだね。でもさ、不老不死になったら飽き...